“Phenomenal! The perfect touches to bring the dances to life…skillfully executed!”

“The show is rife with lush dance music, and choreographer Alison Solomon gave it the perfect touches to bring those dances to life. The stage was so crowded between the enormous chorus and orchestra, but Solomon managed to put the dancers to good use in the remaining space. They went through military marches, classic 1920s dance moves, and even a comedic dance with all four male dancers in drag…”

“Standout Choreography! Each number became a visual spectacle!”

“Choreographer Alison Solomon captured the energy and humor of the show’s musical numbers, presenting tap dance and ensemble choreography that honored the period while feeling fresh and lively. Each dance number became a visual spectacle, perfectly complementing the operetta’s blend of satire and nostalgia.”

“The choreography is a masterclass in playful exuberance”

“‘The choreography is a masterclass in playful exuberance, blending quirky dance moves with an effervescent enthusiasm that pulls the audience right into the heart of the action.”

“Effervescent dances emerge as if extension of song.”

“Effervescent dances emerge as if extension of song. Choreography by Alison Solomon is lighthearted fun, meeting the challenges of limited space with finesse.”

“Not to be understated is Alison Solomon’s choreography”

“‘Not to be understated is Alison Solomon’s choreography which has the subjects standing and schvitzing in unison, alive forever yet paradoxically frozen, in poignant tableaus.”

“Undoubtedly one of the best Sondheim productions in Washington D.C. to date.”

“A masterclass in Sondheim, Sweeney Todd revels in it’s innovation… and top-notch performances. I can whole-heartedly say that Signature’s Sweeney Todd will undoubtedly be one of the best Sondheim productions in Washington D.C. to date.”

“Solomon’s choreography is a home-run”

“It is perfect. Though I cannot imagine straight men dancing as enthusiastically (or as accomplished) as these guys are called upon to do, Alison Solomon’s choreography is a home-run.”

“A spirited staging, full of energy, well-crafted characterizations”

“You’re unlikely to find a more expertly executed production of it than the one currently gracing the Guthrie Theater’s thrust stage…it’s a spirited staging, full of energy, well crafted characterizations, powerful voices and eye-catching designs.”

“The staging is perfect.”

“The staging is perfect. The characters parade, chat, and cavort across the rest of the stage.”

“The dancing is impeccable.”

“‘The dancing is impeccable as Alison Solomon’s choreography draws on the verve and youthful vigor of the cast.

“You’ll find every moment intentional and fluid.”

“Weaving in and out of flawless scenic transitions… you’ll find every moment intentional and fluid, making the two and a half hours feel like no time at all.”

“Solomon's choreography was a hoot… a biting satire”

“Alison Solomon's choreography was a hoot in the scene where the sons sing ‘Oklahoma’ in a biting satire of the Ku Klux Klan ("‘Oklahoma, OKKK’)”

“Delightful Choreography”

“Hunter Foster directs a knowing, not quite camp production that combines real and faux nostalgia with Alison Solomon’s delightful choreography…there's not much more to ask for in easy-to-enjoy summer theater.”

“Charming dances!”

“Alison Solomon was the choreographer for the charming dances for deGuzman and Attmore, and the dance ensemble made up of C.K. Edwards, Fiona Claire Huber, Masumi Iwai, Justin Keats, Cory Lingner and Derek Luscutoff as American soldiers, Swiss misses and other ensemble characters.”

“A deserving finale to Signature’s season… a delight for old, new, and soon-to-be fans.”

“…the production nails the musical’s comedic beats… a deserving finale to Signature’s season of Sondheim… Sweeney Todd is a delight for old, new, and soon-to-be fans.””

“With zingy dance moves and chuckle-buck cavorting by Alison Solomon”

“The production at Bucks County Playhouse doesn’t disappoint… with zingy dance moves and chuckle-buck cavorting by Choreographer Alison Solomon, who keeps the dancing near-nonstop throughout the show.”

“Fun and charming choreography”

“There’s some really fun and charming choreography from Alison Solomon. Phillip Attmore and Lissa deGuzman contributed some really nice dance moves in their adorable duet.

“Solomon builds off original… own flair”

“Director Matt Lenz helms this production as a master of collaboration. Choreographer Alison Solomon builds off of the original choreography by Joshua Bergasse in ways that allow for each character to bring their own flair to the movement.”

“The two biggest numbers show off the cast’s buoyant, seemingly inexhaustible energy.”

“The two biggest numbers, “Hand Jive,” a dance competition at the prom, and “We Go Together,” a paean to eternal friendship that closes both acts, show off the cast’s buoyant, seemingly inexhaustible energy…you’ll have a fantastic time at Grease!”

“Fantastical choreography”

“The tour, presented by NETworks Presentations, is based on the novel of the same name by Roald Dahl. Featuring a book by David Greig, music by Marc Shaiman, and lyrics by Shaiman and Scott Whittman, the production also includes songs from the motion picture. The show also features fantastical choreography by Alison Solomon”